I’ve never felt anything personal in terms of rejection about auditions. I know a lot of actors do. I’m pretty good at doing the audition and walking away. I bring the best I can to the audition, and if that’s what they want, and if all the other stars are in alignment, I’ll get it—and […]
Coming up on Season 3!
New episodes are coming your way in just two weeks! In the next round of interviews, we chat with actors that continue to work in all different mediums: a Tony winner with plenty of on-screen work an actor/playwright who has worked around the country a Shakespeare actor who ran his own theatre and appears in […]
Ep #20: Arye Gross (South Coast Rep, Regional Theatre, Minority Report, Castle, 100+ Film/TV credits) on Deep Curiosity, Inspiring Empathy, and Bringing Your Life into the Scene
There’s something that stirs in us when we watch a performance that has something authentic in it, and the best way I know to at least attempt to get to something authentic is showing up with what actually happened to me today. — Arye Gross On the show today is Arye Gross, an actor […]
Ep #19: Alan Mandell (The Actor’s Workshop, Waiting for Godot/Endgame, Shortbus) on Samuel Beckett, Theatre Artists, and Always Working
Know something about lighting design, about set design, about stage management, about writing. The actors get most of the praise—but there are all these other artists. Acting is important and you have to work hard at it, but you’re not working any harder than anyone else. — Alan Mandell On the show today is Alan […]
Text Work: Shakespeare’s Sonnet 130 with Tony Amendola
The following is the text work session taken from the full episode with Tony. In this excerpt, Tony discusses Sonnet 130 by William Shakespeare. As Tony shares, it’s almost like an “anti-love” sonnet, that it makes fun of sonnets that are too flowery, as it has a very different tone and style with its message. You’ll hear […]
Ep #18: Tony Amendola (Regional Theatre, Berkeley Rep, Stargate SG-1) on Stamping Your Own Passport and Following the Work
Being an actor in Los Angeles can be—if you’re not careful—living off the interest of your talent and experience. And every so often, you need to make a deposit, and that can be doing theatre in LA, New York, in the regions, or it can be a self-generated project, but you do need to do […]
Ep #17: Robert Goldsby (Columbia/ACT/UC Berkeley; Directed 150+ plays, 60+ years in theatre) on the Aliveness of Molière, Clear Transitions, and Being Blissfully Happy
Plays are intensely personal to the writers—when they write them, they’re imagining something that’s very vivid to them. You have to get into their head and try to find another vividness that’s truthful to the original. I’m all for the playwright; that’s where you go to study. — Robert Goldsby On the show today is […]
Behind the Podcast: Paden Fallis of In and [Out of] the Arena
Here’s a chat with the host of another acting podcast I think you’d enjoy! Here’s the episode notes and more info. Thanks for being part of this!
Text Work: John Webster’s The White Devil with Ray Porter
So don't be surprised!
The following is the text work session taken from the full episode with Ray. In this excerpt, Ray will be discussing a speech from John Webster’s The White Devil, which is a Jacobean play and comes in the period right after Shakespeare. As Ray shared, plays in this period were much darker and a definite […]
Ep #16: Ray Porter (Oregon Shakespeare Festival, 300+ Audiobooks) on Delivering the Mail, Being Your Advocate, and Good-Natured Arrogance
So don't be surprised!
The biggest downfall of actors is when they start to get very pleased with themselves because they’re actors; having something else that will keep you a bit humble is a good thing. — Ray Porter On the show today is Ray Porter, an actor who spent 18 seasons with the Oregon Shakespeare Festival playing all sorts […]
