Things went very well with our first reading, so welcome to the “Much Ado About Something” series, as we all do our part to fight this pandemic and stay entertained at the same time. Next up is our online reading of William Shakespeare’s The Merry Wives of Windsor with an all-star cast of past […]
April 2nd: Online Shakespeare Reading of “Much Ado About Nothing” with an All Star Cast!
In these times of much ado about SOMETHING, you’re invited to an online Shakespeare reading of Much Ado About Nothing with an all-star cast of past podcast guests! The broadcast will be April 2nd at 3 pm Pacific / 6 pm Eastern, and yes, you can WATCH all of this too. Head over here to […]
Ep #25: Randall Duk Kim and Annie Occhiogrosso (American Players Theatre founders, Shakespeare actors/teachers, Kung Fu Panda, The Matrix, John Wick) on Pursuing Crazy Ideas, Shakespeare’s Clues, and Your Own Discretion
If you have a dream and you love these plays, don’t let anyone tell you it can’t happen. It will break your back and tear your heart out at times, but if you have that dream, please don’t give up on it because the theatre needs you—we need the people who won’t take “no” for […]
Ep #24: Tony-Winner L. Scott Caldwell (Broadway, Regional Theatre, The Fugitive, Lost, A Million Little Things) on Self-Doubt, Pretending vs. Being, and Meeting Your Destiny
The journey of a thousand miles begins with one step, but if you don’t even know the direction you’re going in, the step you’re taking may be away from your ultimate mission or destiny. — L. Scott Caldwell If you’re looking for what it takes to be an actor long-term, over the course of […]
Ep #23: Simon Vance (1000+ Audiobooks: Millennium series, Sherlock Holmes, Jerusalem, The King’s Speech, The Tao of Pooh) on Feeding the Birds, Pushing Yourself, and Wanting More
I thought being an actor wasn’t for grown-up people, but it didn’t matter whether I considered it that—I discovered it was essential for my soul that I threw myself into this. — Simon Vance If you’re looking for what it takes to be an actor long-term, over the course of your LIFE, then you’ve come […]
Text Work: Threat Matrix with Jeanne Sakata
The following is the text work session taken from the full episode with Jeanne. In this episode, Jeanne discusses a monologue she worked on from the TV show Threat Matrix. She plays a Cambodian woman who recounts her experiences of escaping the Khmer Rouge. I’ve visited Cambodia and seen first-hand some of the atrocities that happened […]
Ep #22: Jeanne Sakata (Actress/Playwright, Hold These Truths, Regional Theatre, Dr. Ken) on the Joy of Discovery, Eagerness, and Redemptive Writing
What fuels it all for me right now is gratitude, because I’m grateful all these things are happening, and that there are so many more opportunities than there used to be, and when I’m tempted to feel overwhelmed as sometimes I do, I really try to go back to that place of gratitude, and I […]
Behind the Podcast: Audrey Moore of Audrey Helps Actors (Phase 3 Actor, the Top Acting Podcast, and Top 50 of ALL Performing Arts Podcasts)
So don't be surprised!
I wish I could ask actors that are starting out, ‘As hard as you feel like it is now, if I told you the more successful you become, the harder and more competitive it’s going to become—are you still in?’ — Audrey Moore Today we have another Behind the Podcast episode, with the reigning […]
Text Work: Shakespeare’s The Winter’s Tale with Richard Riehle
The following is the text work session taken from the full episode with Richard. In this excerpt, Richard discusses one of Leontes’ speeches in The Winter’s Tale by Shakespeare—it’s in the first act where he has his suspicions about his wife and his best friend having an affair. Leontes is speaking with his trusted advisor Camillo, […]
Ep #21: Richard Riehle (Regional Theatre/Broadway, The Fugitive, Casino, Office Space, 400+ Film/TV credits) on Being Open, Dependable, and Watching Everything
I’ve never felt anything personal in terms of rejection about auditions. I know a lot of actors do. I’m pretty good at doing the audition and walking away. I bring the best I can to the audition, and if that’s what they want, and if all the other stars are in alignment, I’ll get it—and […]
