“My goal is to be a better actor tomorrow than I am today, that became and still is my credo.“ ~ Marcelo Tubert Today’s guest was born in Argentina, moved to LA at a young age, felt very lost with his career, almost quit after his first TV role, and eventually booked a job that […]
Ep #26: Elizabeth Dennehy (Star Trek, Tony n’ Tina’s Wedding, Guiding Light, and hundreds of commercials) on Being Natural vs. Casual, Propelling the Story Forward, and Saving Your Money
“I think the biggest mistake people make is playing their given circumstances instead of the characters’ given circumstances. Nick Bottom [in ‘A Midsummer Night’s Dream’] is not trying to do a funny death scene. He thinks he’s going to blow your mind with his tragedy and it’s going to be the most heartbreaking death scene […]
FULL Production of our LIVE Online Reading of “The Merry Wives of Windsor” with Harry Groener
Today you’ll hear the FULL production from our recent LIVESTREAM reading of Shakespeare’s The Merry Wives of Windsor (more info and watch the show here). It’s an all-star cast of past guests from the podcast, including Harry Groener, Dawn Didawick, Peter Van Norden, Anne Gee Byrd, Tony Amendola and many more! For this “Merry Wives” […]
Ep #20: Arye Gross (South Coast Rep, Regional Theatre, Minority Report, Castle, 100+ Film/TV credits) on Deep Curiosity, Inspiring Empathy, and Bringing Your Life into the Scene
There’s something that stirs in us when we watch a performance that has something authentic in it, and the best way I know to at least attempt to get to something authentic is showing up with what actually happened to me today. — Arye Gross On the show today is Arye Gross, an actor […]
Text Work: Shakespeare’s Sonnet 130 with Tony Amendola
The following is the text work session taken from the full episode with Tony. In this excerpt, Tony discusses Sonnet 130 by William Shakespeare. As Tony shares, it’s almost like an “anti-love” sonnet, that it makes fun of sonnets that are too flowery, as it has a very different tone and style with its message. You’ll hear […]
Ep #18: Tony Amendola (Regional Theatre, Berkeley Rep, Stargate SG-1) on Stamping Your Own Passport and Following the Work
Being an actor in Los Angeles can be—if you’re not careful—living off the interest of your talent and experience. And every so often, you need to make a deposit, and that can be doing theatre in LA, New York, in the regions, or it can be a self-generated project, but you do need to do […]
Ep #17: Robert Goldsby (Columbia/ACT/UC Berkeley; Directed 150+ plays, 60+ years in theatre) on the Aliveness of Molière, Clear Transitions, and Being Blissfully Happy
Plays are intensely personal to the writers—when they write them, they’re imagining something that’s very vivid to them. You have to get into their head and try to find another vividness that’s truthful to the original. I’m all for the playwright; that’s where you go to study. — Robert Goldsby On the show today is […]
Ep #15: Dawn Didawick (Regional Theatre, Erin Brockovich, Pretty Little Liars) on Being a Sponge, No Credentials, and Daring to Fail
If you do your work, people will want to work with you again, if they can, if they have the power to do it—and they’ll want to work with you years later. — Dawn Didawick On the show today is Dawn Didawick, an LA-based actor who has worked at numerous regional theatres, has lived and worked […]
Text Work: Harold Pinter’s The Hothouse with Peter Van Norden
The following is a re-airing of Peter’s text work session taken from the full episode with him. In this excerpt we discuss performing a speech from Harold Pinter’s The Hothouse. About the guest Peter Van Norden graduated magna cum laude from Colgate University, and studied with Sanford Meisner and many others at the Neighborhood […]
Ep #12: Dakin Matthews (Shakespeare scholar/actor/teacher, Broadway plays/musicals) on Acting the Classics and Your Artistic Family
Actors are challenged to bring their instrument to the highest level of availability—their voice, their movement, their psyche, their understanding, their emotional life—so that if they are doing a great play that deals with great issues and great emotions, they can fill that greatness with their instrument. — Dakin Matthews I’m thrilled to welcome Dakin […]
