Director Libby Appel joined us in October 2021 for a lively Q&A, and now you can listen on the podcast and YouTube! It’s wonderful that we can follow up our Chekhov workshop from last episode with an even deeper discussion with the director! In this chat, you’ll hear Libby and I talk about: what she […]
Text Work: Macbeth’s dagger speech with Elizabeth Dennehy
The following is the text work session taken from the full episode with Elizabeth. In today’s episode, Elizabeth shares her approach to working on Shakespeare, which includes: what the number of syllables can tell you the thought igniter exercise the first question to ask, and more Plus we chat about the difference in performing a monologue […]
Behind the Podcast: Mike Moreno of Actor CEO (Run Your Career Like a Business)
So don't be surprised!
“Instead of thinking of yourself as a freelancer, think ‘I am a business that partners with other businesses to tell stories. That’s what I do.’ So when I go into an audition, I’m representing my business, and you think that my business might partner well with your business on this project.” — Mike Moreno […]
Ep #24: Tony-Winner L. Scott Caldwell (Broadway, Regional Theatre, The Fugitive, Lost, A Million Little Things) on Self-Doubt, Pretending vs. Being, and Meeting Your Destiny
The journey of a thousand miles begins with one step, but if you don’t even know the direction you’re going in, the step you’re taking may be away from your ultimate mission or destiny. — L. Scott Caldwell If you’re looking for what it takes to be an actor long-term, over the course of […]
Ep #23: Simon Vance (1000+ Audiobooks: Millennium series, Sherlock Holmes, Jerusalem, The King’s Speech, The Tao of Pooh) on Feeding the Birds, Pushing Yourself, and Wanting More
I thought being an actor wasn’t for grown-up people, but it didn’t matter whether I considered it that—I discovered it was essential for my soul that I threw myself into this. — Simon Vance If you’re looking for what it takes to be an actor long-term, over the course of your LIFE, then you’ve come […]
Behind the Podcast: Audrey Moore of Audrey Helps Actors (Phase 3 Actor, the Top Acting Podcast, and Top 50 of ALL Performing Arts Podcasts)
So don't be surprised!
I wish I could ask actors that are starting out, ‘As hard as you feel like it is now, if I told you the more successful you become, the harder and more competitive it’s going to become—are you still in?’ — Audrey Moore Today we have another Behind the Podcast episode, with the reigning […]
Ep #15: Dawn Didawick (Regional Theatre, Erin Brockovich, Pretty Little Liars) on Being a Sponge, No Credentials, and Daring to Fail
If you do your work, people will want to work with you again, if they can, if they have the power to do it—and they’ll want to work with you years later. — Dawn Didawick On the show today is Dawn Didawick, an LA-based actor who has worked at numerous regional theatres, has lived and worked […]
Ep #14: Francis Guinan (30 years with Chicago’s Steppenwolf Theatre, Boss with Kelsey Grammar) on Being Blue Collar and Slightly Undisciplined
You don’t have to act so much. Over the course of [August: Osage County], I ended up doing less and less and less, and ended up revealing more and more and more about the character. — Francis Guinan We continue with season two and today on the show is Francis Guinan, a Chicago-based actor who has […]
Ep #13: Tony-Winner Reed Birney (The Humans, Casa Valentina, House of Cards, The Blacklist) on Actor Despair and Roles That Scare You
Always tell the truth, but in the most interesting way possible. The range of human experience and expression is vast. There are many ways to react to a situation and still have it be utterly and deeply truthful. — Reed Birney Welcome back to season 2 and I’m excited to have actor and teacher Reed Birney […]
Ep #12: Dakin Matthews (Shakespeare scholar/actor/teacher, Broadway plays/musicals) on Acting the Classics and Your Artistic Family
Actors are challenged to bring their instrument to the highest level of availability—their voice, their movement, their psyche, their understanding, their emotional life—so that if they are doing a great play that deals with great issues and great emotions, they can fill that greatness with their instrument. — Dakin Matthews I’m thrilled to welcome Dakin […]
