The following is the text work session taken from the full episode with Marcelo. In today’s episode, Marcelo shares how he approaches a voiceover audition for a video game. We look at: what direction and description is initially provided using your instincts to create your own performance avoiding an impersonation. Plus, you’ll hear the actual audition […]
New Online Workshop, June 2022 – Acting the Role: The Macbeth’s with Susan Angelo and Bo Foxworth
In their first online workshop together, learn the context, clues, and process for playing The Macbeth duo from two accomplished, professional actors! Details: WHERE: All online, via Zoom WHEN: Mondays, June 6-27, 5-7 pm PT / 8-10 pm ET HOW: Register to be an ACTOR and work on scenes and speeches or be part of […]
Ep #27: Marcelo Tubert (Star Trek: Picard, Jane the Virgin, BioShock video game, Netflix dubbing) on Trusting Instincts, Living Simply, and Remaining Grateful
So don't be surprised!
“My goal is to be a better actor tomorrow than I am today, that became and still is my credo.“ ~ Marcelo Tubert Today’s guest was born in Argentina, moved to LA at a young age, felt very lost with his career, almost quit after his first TV role, and eventually booked a job that […]
Cast Announced for KING LEAR in The Rehearsal Room – April 2022
We’ve kicked off The Play’s the Thing with our First Folio investigation of Shakespeare’s King Lear! The great joy of these programs is that we get to: spend SO much time diving deep on a scene and characters bring together lifelong professionals with newer/younger actors cast roles while being totally open to race, gender, and […]
Text Work: Macbeth’s dagger speech with Elizabeth Dennehy
The following is the text work session taken from the full episode with Elizabeth. In today’s episode, Elizabeth shares her approach to working on Shakespeare, which includes: what the number of syllables can tell you the thought igniter exercise the first question to ask, and more Plus we chat about the difference in performing a monologue […]
Ep #26: Elizabeth Dennehy (Star Trek, Tony n’ Tina’s Wedding, Guiding Light, and hundreds of commercials) on Being Natural vs. Casual, Propelling the Story Forward, and Saving Your Money
“I think the biggest mistake people make is playing their given circumstances instead of the characters’ given circumstances. Nick Bottom [in ‘A Midsummer Night’s Dream’] is not trying to do a funny death scene. He thinks he’s going to blow your mind with his tragedy and it’s going to be the most heartbreaking death scene […]
New Class, April 2022: The Play’s the Thing with APT co-founders/AD’s Randall Duk Kim and Annie Occhiogrosso
In their first online workshop, these two masters of the theatre will share their lifetime exploration of Shakespeare with students of all ages! The class will be completely VIRTUAL (anyone can register) and will run on Tuesdays from April 5-26, 2022. You can sign up as an actor (open to any age, race, and gender […]
Coming up on Season 5!
We’ve got five more amazing interviews headed your way over the coming months; you’ll hear: coming to America stories the realities and hardships of working in New York and LA and what it’s like with parents who were in the biz. Professional actors speak about feeling adrift, lack of confidence, and full blown-panic attacks. These […]
Cast and Creative Team Announced for THE BELLE’S STRATAGEM in The Rehearsal Room – February 2022
In our first ever session focusing on the work of Hannah Cowley, we have selected excerpts from TWO scenes from her popular play The Belle’s Stratagem: Act 3, Scene 1 and Act 5, Scene 5! The great joy of these programs is that we get to: We are thrilled to welcome so many new professionals […]
REPERTORY (Part Two) FULL Workshop Presentation: Shakespeare’s Twelfth Night (Scenes 3.1 and 3.4) featuring Sara Mountjoy-Pepka, Garrett Botts, and Michele Schultz, with Elizabeth Swain directing
For today’s episode, we’re bringing you the second half of the Repertory workshop featuring Shakespeare’s Twelfth Night. (Check out Part 1 here!) As I mentioned last episode, this was an immense project: we had a company of 6 actors (half professional and half younger and/or newer) who met twice a week for 7 weeks to […]
