This is a business and it’s a huge part of being an actor. We go around thinking we’re artists—and we are—but we have to know how to make a career out of it, too. — Nike Doukas
I’m thrilled to welcome Nike to the show: a fantastic actress, director, teacher, and accent coach. She is one of the most supportive, warm, and hard-working people I know.
Nike was actually one of my first acting teachers after college and has become a great friend over the years. In addition to classes, we’ve worked together on Harold Pinter’s Betrayal, Noel Coward’s Tonight at 8:30, and I’ve lost count how many times I’ve seen her onstage.
Just a bit of what we cover:
- growing up with older siblings
- how she ended up in Madison
- spending years auditioning for grad school
- her criteria for doing good work
- her process for working on text
- and what she encourages her students to do
Originally from Massachusetts (same as me!), Nike studied at the University of Wisconsin, Madison and has an MFA from the American Conservatory Theatre. She’s a regular at South Coast Repertory Theatre, where she has appeared in five world premieres, and has also worked at numerous other regional theatres across the country.
She has nearly 40 credits on IMDb, which includes work on Modern Family and a recurring role on Desperate Housewives. Recent teaching credits include Shakespeare at the Antaeus Company, The Art of Acting Studio, and A Noise Within. With her teaching partner H. Richard Greene, she teaches a summer intensive acting conservatory at UCLA, Berkeley, and Florida State University.
She was also the recipient of the 2011 Lunt Fontanne Fellowship, a national award to regional theatre actors.
At the time of publishing this episode, she has directed a production of The Hothouse by Harold Pinter that is now running at the Antaeus Company in Glendale, so if it’s still open when you hear this and you can make it, check it out!
Please enjoy my chat with Nike Doukas!
Total Running Time: 1:16:39
- Stream by clicking here.
- Download as an MP3 by right-clicking here and choosing “save as/save link as”.
Want to hear more from another actor who teaches? Check out my talk with Geoffrey Wade, an actor, director, teacher, photographer, and acting coach.
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This episode is brought to you Audible. As a listener of The Working Actor’s Journey podcast, Audible is offering you a free audiobook download with a free 30-day trial to check them out. You can get a book that’s one hour long or 15 hours long—doesn’t matter. Whatever you pick, it’s free.
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Patient Zero by Jonathan Mayberry, read by Ray Porter
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Here’s a clip from this book:
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Show Notes
Highlights
- Growing up with three older sisters
- How she handles the life of an actor
- Having an artistic mother
- Why she wanted to go to California after high school
- How she ended up in Madison, Wisconsin after Massachusetts
- How Asian theatre taught her so much about being onstage
- What finally brought her out to California
- How she kept busy while auditioning for ACT
- How to find the right grad school for you
- Her criteria for doing good work
- How she got her first agent in LA
- Why she didn’t do any theatre for 3 years in LA
- What she needs to truly understand the text she’s working on
- Working on a monologue from the play King Charles III
- The questions you need to ask about every scene you’re doing
- What she encourages her students to do
Nike Doukas around the web
Selected People and Items Mentioned
- Leo Marks, Nike’s husband
- UW Madison Theatre
- American Conservatory Theatre
- William Ball, director of ACT
- Dakin Matthews, text teacher
- Deborah Sussel, accent teacher
- Peter Donat, actor
- Barbara Dirickson, actress
- George DelHoyo, actor
- Stand and Deliver, Nike’s “corporate job”
- Art of Acting Studio, where she teaches Shakespeare
- King Charles III by Mike Bartlett
- Harriet the Spy by Louise Fitzhugh
- Middlemarch by George Eliot
- Main Street by Sinclair Lewis
- The Magnificent Ambersons by Booth Tarkington
- Douglas Sills, actor and classmate from ACT
Nike’s monologue from King Charles III by Mike Bartlett
click to view/close the monologue
Photo credit: Pittsburgh Irish Classical Theatre
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